“How do you know?”
“Forty of them across the table,” my father said. “And forty wives in the gallery. I watched every one of them stop thinking about it, eventually, the ones who made it. You can see it. The day the number stops being about him and starts just being a number.” He tapped the statement. “This one. Line fourteen. What is it?”
“A deposit. Real one. The Kensington project.”
“Does it make you think about Trevor?”
“No. It makes me think I undercharged for the Kensington project.”
My father smiled.
“There she is,” he said. “That’s the daughter I locked the cards for.”
We finished the statements.
It was a good quarter.
It’s been a good year.